John Joseph Barker Furniture

The oil painting on canvas depicts a partial side view of the three masted British Galleon named 'Rover' being tossed around in a stormy sea to the point the ship is almost capsizing. It is uncertain what the ultimate fate of the ship will be. The painting is displayed in it's original gilded frame. Stuart Henry...

An English late 19th century portrait painting of a dog. Expressive detailed face, beautifully painted. Oil paint on a heavy wood panel. Shows some old craquelure to the varnish. ...

19th Century English Painting "Fox Hunting". Beautiful scene of a hunt in action. See photos.

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...

Antique English painting from the late 19th century. Oil on canvas artwork, first canvas, depicting bucolic landscape, shepherd with cows on the river, of good pictorial quality. Nic...

Painted and signed by William Shayer, Senior (1787-1879) who had a long and successful career as a painter of English countryside scenes, landscapes and seascapes, and who exhibited ...

Antique oil painting romance landscape painting. 19th century Oil on canvas. Romantic scene landscape painting under a clear blue sky. Oil on canvas early 19th century. Painting fr...

Charming 19th century early impressionist English landscape of boats docked in a pond in the foreground with a gentleman standing along the bank, and Provençal buildings and a Victor...

Landscape oil on wood painting by W. Merritt Post in a giltwood frame. Measures: 6 x 7.5, unframed.

Beautiful French 19th Century landscape painting. Old wood original stretchers . Nice old gilt frame too. Sight dimensions: 15....

An English oil on canvas landscape painting by William Widgery (1822–1893) from the late 19th century depicting Lydford Gorge, in carved frame. Created in England during the second h...

19th Century coastal landscape water colour, monogram lower right. Delightful picture capturing the softness light and colours of the English coast on an overcast day Wide compo...